dulcimer

noun

1. 大扬琴；洋琴
   a musical instrument that you play by hitting the metal strings with two hammers
2. 杜西莫琴（美国传统拨弦乐器）
   a musical instrument with strings, popular in American traditional music, that you lay on your knee and play with your fingers

1. Dulcimer usually appears in a happy music.
   扬琴一般用来弹奏轻快的曲子。
2. Had solved these problems, can improve the efficiency of dulcimer study greatly.
   解决好这些新问题，可以大大提高扬琴学习的效率。
3. The dulcimer to me is in the life an essential part.
   扬琴对我来说是生命中不可缺少的一部分。
4. The bamboo hammers are the tools to play the dulcimer and they render directly or indirectly plenty of techniques which enrich and promote the musical expressions for the instrument. The different qualities of the materials made of for the hammers also have specific effects for the musical expressions.
   琴竹是扬琴的主要演奏工具，它不仅直接或间接地产生了许多扬琴演奏技法，丰富和提升了扬琴的音乐表现力，还因材料品性的不同影响着音乐的具体表现。
5. The dulcimer is not only one kind of the main musical instruments played in the Chinese folk band but also the instrument frequently used in bands of the Chinese music mixed with the western music.
   扬琴不仅是中国民族乐队中主要乐器之一，而且还是中西混合乐队中的常用乐器。
6. Chapter 3: Contemporary Dulcimer narrative opus innovation analysis. Narrative perspective is one of the most important components of narrative theory.
   第三章：当代扬琴叙事作品中的创新性研究。叙述视角是叙事学理论的一个重要方面，是叙事作品叙述模式分析的基点。
7. On Integration of Chinese traditional Dulcimer Music and Regional Folk Music
   试论中国传统扬琴音乐与地域性民间音乐的融合
8. This article is to analyze the different Dulcimer opuses in different period and different them from the view of point of narration, summarize the characteristics of the Dulcimer narration techniques in its course of development, and propose some bold expectations on the future Dulcimer opus creation.
   本论文从叙事的角度对不同时期不同题材扬琴曲进行了分析，归纳总结了扬琴表现艺术不断发展过程中所体现出的种种特征，同时对未来扬琴作品创作提出了大胆的展望。
9. The Research on Dulcimer Expression Art from the Point of View of Narration
   从叙事角度对扬琴表现艺术的研究
10. The article structure and main content as follow: Chapter 1: Traditional Dulcimer narrative opus aesthetic individuality and character analysis.
    文章的结构和主要内容如下：第一章：传统扬琴叙事作品中的审美个性与特征分析。
11. The Schools and Appreciation of Traditional Music Played on the Dulcimer
    扬琴传统乐曲的流派和欣赏
12. Application of Musical Acoustics in Playing of Dulcimer On the Timbre of Yangqin
    音乐声学在扬琴艺术中的应用论扬琴演奏中的音色
13. Second, narrative writing; Chapter 2: Dulcimer opus pure narration module analysis.
    叙事性写作；第二章：扬琴作品纯叙事性模式研究。
14. After the founding of New China, dulcimer art has gained a new life and developed rapidly.
    新中国成立后，扬琴艺术获得了新生，发展迅速。
15. Music composition is the key to the development of dulcimer music. As a result of the continuous development of music composition and the reform of instruments in recent years, dulcimer performance has been transformed as its players and composers have aimed to make it more diverse.
    音乐创作是扬琴艺术发展的关键，随着近年来音乐创作的不断发展和乐器改革的不断深入，扬琴在演奏形式上也进行了许多新的尝试使得其更加的丰富多样。
16. After four hundred years of development, both in shape and dulcimer playing techniques have a lot of reform and innovation, which greatly broadens the space of the usage of Yangqin.
    经历四百年的发展，扬琴无论在形制还是演奏技法方面都有了很大的改革的创新，这些大大拓宽了扬琴的使用空间。
17. In recent years, By the influence of Western compositional techniques, many composers began to pay attention to and try to use modern expression technique of music creation, the emergence of a large number of excellent works, These works are largely widened dulcimer art expressive force.
    近年来，受到西方作曲技法的影响，很多作曲家们开始关注和尝试用现代的作曲手法进行扬琴音乐创作，涌现了许多优秀的作品，这些作品在很大程度上拓宽了扬琴艺术的表现力。
18. Systematic exposition the dulcimer use of its role in the Inner Mongolia in the form of folk music, and strive to regulate the use of the dulcimer in the folk music of the Inner Mongolia region.
    系统的论述在不同的内蒙古民族音乐形式中扬琴的使用情况及其作用，力求达到扬琴在内蒙古地区民族音乐中规范使用的目的。
19. By collecting literature, music, audiovisual materials, Inner Mongolia, several typical musical art form, the formation and development are discussed, try to summarize and analyze the dulcimer accompaniment techniques used in the various musical forms.
    本文通过收集整理文献，乐谱，音像资料，对内蒙古几种具有代表性的音乐艺术形式的形成与发展进行论述，尝试总结分析扬琴在各种音乐形式中用到的伴奏技法。
20. As for the 402 dulcimer, the range and volume are expanded, the halftone is added, the tone color is riched, and the inflexion is adopted conveniently.
    402型扬琴的音域和音量扩大了，增加了半音，丰富了音色，方便了转调。
21. This paper tries to address this topic by analyzing the impact of microphone and Mic preamp on sound quality in the studio recording through the detailed analysis of the recordings of pipa, bamboo flute, erhu and dulcimer.
    本文以话筒和话筒放大器为着入点，以话筒和话筒放大器在录音棚录音中对声音音质的影响为研究对象，并通过对琵琶、竹笛、二胡、扬琴的录音分析来论述这一论题。
22. Dulcimer, a kind of plucked instrument, has a unique nationality beyond national musical instrument and a wide range of plucked instruments worldwide.
    扬琴，是我国民族乐器中具有独特民族性和广泛世界性的一种弹拨乐器。
23. The new compositions promote the development of the dulcimer music.
    音乐作品的推陈出新推动了扬琴艺术的发展。
24. Dulcimer, with national, world foreign hammered string instruments, in the land has a history of more than400years; either from the work creation style or performance skills, artists of China national music development adds color.
    扬琴，具有民族性，世界性的外来击弦乐器，在华夏的土地上已经有四百多年的历史了，无论是从作品的创作风格还是演奏技巧，艺术家们对中国民族器乐的发展增添异彩。
25. I also hope that the concerto would bring a wider space to develop the dulcimer of artistic expression.
    同时也希望这首协奏曲对扬琴的艺术表现力带来更广的拓展空间。
26. I desire through the introduction of this article, so that more people understand the common development of an overview of the dulcimer and Inner Mongolia, folk music, a little the dulcimer Art in the Inner Mongolia music better and faster development of contributing.
    笔者意欲通过此片文章的介绍，使更多的人了解扬琴和内蒙古民族音乐共同发展的概况，为扬琴艺术在内蒙古民族音乐中更好更快的发展略尽绵薄之力。
27. The creation of dulcimer works have developed variously to meet the needs of appreciation from different social groups.
    扬琴作品的创作向多样化发展，以满足社会不同人群的欣赏需求。
28. The development of dulcimer art in new china can be divided into improvement period and prosperity period.
    新中国扬琴艺术的发展历程可以分为改良期和繁荣期。

noun

1. a trapezoidal zither whose metal strings are struck with light hammers

2. a stringed instrument used in American folk music